Statment:
My world of art mirrors the inner terrains I navigate.
Standing on a mountain top, gazing out into the distant horizon, there are hills traced with shades of overlapping gray, like the waves of the ocean held still in the sky. A cluster of clouds lightly rises from the ground, obscuring the scenery into a haze. In that mist, I find a landscape intertwined between a golden desert and a lush green forest, where the wind folds two moons into the night sky.
My work is a place to return to this dream as a physical poem.
I create sculptures, drawings, videos, immersive installations, and performances that invite viewers to enter the doorstep between waking life and dream, coaxing them to submerge themselves in a journey where what they see, feel, and imagine can unlock a new lens for perceiving the material world.
As a story alchemist, I am fascinated by the ebbs and flows of consciousness where realms of surrealism and quantum science meet. My visual language used to be primarily abstract, using form, texture, and color to communicate where words fell short. However, recently I have returned to figurative forms of humans and mystical animals, which has given me a more diverse visual vocabulary while still leaving room for mystery.
In my studio, I sometimes find myself working as a laboratory technician while experimenting and discovering new ways of seeing objects and their interplay of light and shadow through mirrors, glass prisms, and sculptures with reflective or transparent surfaces. My light laboratory is a place where curiosity thrives, contemplation deepens, and perspectives multiply.
More recently, I’ve collaborated with glassblowers to create egg-shaped lenses that hold bubbles of air, simultaneously revealing both micro and macro visions. I don’t see my glass work as sculptures, but more as instruments— receivers, and senders of light. I call them dragon eggs that are intermediary objects serving as access to the non-physical. They are the manifestations of greater phenomena.
In all my pieces, I strive to capture that fleeting moment just before the horizon disappears into fog, the delicate balance on either side of clarity and uncertainty. My work is a space for viewers to inhabit their thresholds, those in-between spaces where one's perception of reality transforms. It's a place to see their inner landscapes shifting between presence and distance, solidity and mist, light and absence.
August 2025
